Sometimes I Cry, Too, 2020. In this project about empathy to the other, inanimate objects, such as asphalt, marble, toys, and books, experience emotions usually ascribed to humans
From the Connector project, 2021. In this work, Brovina explores the unexpected connections between the bodily and the digital
From the Connector project, 2021. Here, the artist brings together a mid-century erotic photo archive with the first Soviet Internet project
From the Connector project, 2021
From the Slow Light project, 2021
From the Slow Light project, 2021
Vase, 2020. From the Wo-man project
Fountain, 2020. From the Wo-man project
Collective Body, 2020. A pseudomedical research, this project explores the blurred boundaries between the bodies through the microbiota of the artist’s colleagues from the Open Studios project
Collective Body (performance), 2020. The project was repeated as a performance at the Cosmoscow art fair
Patches, 2021. Group exhibition To the Right is a White Forest: tribute to poet Alexander Yeremenko. Peredelkino, Moscow
Patches, 2021. Inspired by Yeremenko’s dissident poetry, Brovina reflects on trauma and time
Patches, 2021. In this project, the artist patches the fractures, simultaneously hiding and drawing attention to them
Palus Florens, 2019. Flower bed of the workers of the local public housing and communal facility (GBU); description of the residents’ itineraries
Palus Florens, 2019. Soil samples and the GBU flower bed
Palus Florens, 2019. Potatoes in a flower bed that is taken care of by a local enthusiast
Palus Florens, 2019. Flower bed that is taken care of by a local enthusiast
Palus Florens, 2019. Plants from a flower bed